The Pier

1963

d. Chris Marker

In a devastated Paris in the aftermath of WWIII, The few surviving humans begin researching time travel, hoping to send someone back to the pre-war world for food, supplies and maybe a solution to their dire position. One man is haunted by a vague childhood memory that will prove fateful. (http://www.imdb.com/title/tt0056119/plotsummary)

Cleo From 5 To 7
1962
d. Agnès Varda

Agnes Varda's signature strategy of mixing documentary and fiction comes to fruition in this intimate and fluid portrait of two hours in the life of pop singer Cleo Victoire (Corrine Marchand) as she restlessly awaits the results of a cancer test. With a distinctly feminist take on the French New Wave films of the early 1960s, Varda's film examines Cleo's banal yet extraordinary afternoon as she traverses Paris, bouncing back and forth between various men, intercepting and avoiding friends, enemies, superstitions, chance, and eventually love. The camera follows at breakneck speed as Cleo's existential ennui pulls her through the city (beautifully captured by Jean Rabier's sweeping cinematography). Lively characters populate Cleo's journey, ranging from a tough female cabdriver, Cleo's mothering assistant, her blasé boyfriend, and finally a talkative and intriguing stranger, a young soldier (Antoine Bourseiller) spending his last hours in Paris before shipping off to war. As Cleo's perspectives are completely rearranged by the specter of possible illness, Varda describes a world of life, possibilities, and love. (http://www.rottentomatoes.com/m/cleo_de_5_a_7/)

Breathless
1960
d. Jean-Luc Godard

Former "Cahiers du Cinéma" critic Jean-Luc Godard threw everything he had learned from years of movie watching into his debut feature--creating an enormously influential film and a seminal study of existential longing and betrayal. Within the first few minutes, Michel (Jean-Paul Belmondo), a foul-mouthed Parisian who idolizes Humphrey Bogart, shoots a police officer and immediately becomes a fugitive on the run. He visits an ex-girlfriend and while casually charming her, he steals her money. He then gallivants through the marvelous streets of 1940s Paris, pursuing Patricia (Jean Seberg), a blond pixie-like American selling the New York Herald Tribune on the Champs-Elysees. Michel is childlike as he pouts and whines in his fruitless attempts to seduce Patricia, then turns cold as ice as he curses her out, racing off to steal a car or meet up with some other thugs. Meanwhile, Patricia seems to seduce everybody with her youth and naivety. She is just 20-years-old, possibly pregnant, and despite the few scattered assignments she does for the paper, she is dreamy and directionless. Even so, she does not refuse Michel, though she won't commit to him. As they follow each other in and out of cafes and boutiques, sailing past the Eiffel Tower and down the grand boulevards in gorgeous stolen cars, we await what is sure to be a tragic ending. (http://www.rottentomatoes.com/m/1030633-breathless/)

The 400 Blows
1959
d. François Truffaut

Director François Truffaut's first feature film, THE 400 BLOWS, is a landmark in French cinema. Antoine Doinel (Jean-Pierre Léaud) is a 13-year-old boy who can't seem to do anything right. His parents yell at him and then bribe him for his love and his promises to work harder in school. Meanwhile, his schoolteacher is out to get him and blames Antoine for everything--turning him into the class clown. As a result, Antoine runs away from school and his difficult family, living on the streets of Paris and committing petty crimes. While his life on the street is tough, it's much better than dealing with his preoccupied parents and his accusatory teacher. Nonetheless, things only go downhill for Antoine, descending to a simultaneously painful and beautiful conclusion. A truly impressive film, THE 400 BLOWS is raw, honest, and intensely emotional. Imbued with a strong and complex personality, Antoine maintains his poise and self-confidence, even as he endures abusive treatment from every adult he encounters. René Simonet (Patrick Auffray) is Antoine's one pal, and the unspoken dialogues between the boys, depicted by Truffaut through the boys' facial expressions and with masterful roving photography, allow the viewer to see through Antoine's eyes and understand his unflinching tenacity. Few films have captured the difficulties of childhood as well as this acclaimed French masterpiece. Essentially the start of the French New Wave movement, THE 400 BLOWS is also the beginning of Truffaut's Antoine Doinel cycle, which follows Léaud as Antoine in five additional films over the course of 20 years.

Nominated for an Academy Award for Best Writing, Story and Screenplay - Written Directly for the Screen.

Once
2006
d. John Carney

The Irish romance ONCE may be a musical, but it is miles away from the traditional Hollywood idea of people bursting into song. Glen Hansard (frontman for indie rock band The Frames) plays the guy, a street musician who is playing for change when he meets the girl (Marketa Irglova), an immigrant from the Czech Republic. The pair immediately bond over their shared love of music (he is a guitarist, and she plays the piano), and the film chronicles their tentative relationship. Both are weighed down by plenty of baggage: his songs are fueled by a painful breakup, and she is a young mother who left her husband behind in her native country. Like the independent favorite BEFORE SUNRISE, ONCE is a simple, sweet drama that doesn't rely on an elaborate plot. With its use of digital video and handheld cameras, ONCE matches its spare visual style to its intimate mood. Each moment feels stolen from real life, and the story is at once familiar and fresh. Driven more by music than by dialogue, ONCE features a stirring soundtrack of heartfelt indie rock sung by Hansard and Irglova. Before his foray into film, director John Carney (ON THE EDGE) played bass in The Frames, and his passion for music is clear in this modern musical that hits every note perfectly. (http://www.rottentomatoes.com/m/once/)

Won Academy Award for Best Achievement in Music Written for Motion Pictures, Original Song.

A Hard Day's Night
1964
d. Richard Lester
HARD DAY'S NIGHT, nominated for two Academy Awards and featuring the Beatles in their feature film debut, is one of the greatest rock-and-roll comedy adventures ever. The film has a fully restored negative and digitally restored...

The year is 1964 and four young lads from Liverpool are about to change the world – if only the madcap world will let them out of their hotel room. Richard Lester's boldly contemporary rock n' roll comedy unleashes the fledgling Beatles into a maelstrom of screaming fans, paranoid producers, rabid press and troublesome family members, and reveals the secret of their survival and success: an insatiable lust for mischief and a life-affirming addiction to joy.

The film takes on the just-left-of-reality style of a mock-documentary, following "a day in the life" of John, Paul, George and Ringo as fame takes them by storm. On their way from Liverpool to a London television stage, they must evade a teenage mob, outwit a press conference, answer fan mail and give one of their trademark, faint-inducing performances. But even this manic schedule gets interrupted as Paul has to oversee the shenanigans of his irrepressible grandfather (WILFRID BRAMBELL), a "real mixer" whose love of dissension threatens to break the band apart. Soon John and grandfather are butting heads, George is considering a modeling career and Ringo goes missing in the streets of London.

Throughout it all, witty one-liners, classic pop songs and world-class charm build up to happy-go-lucky moments of liberation that capture the sheer exuberance, innocence and rock n’ roll spirit of four young men trying to make their own rules in a world determined to confine them. (http://www.rottentomatoes.com/m/beatles_a_hard_days_night/)

Nominated for two Academy Awards: Best Music, Scoring of Music, Adaptation or Treatment and Best Writing, Story and Screenplay - Written Directly for the Screen.

Top Hat

1935

d. Mark Sandrich

A musical comedy full of high style, romance, mistaken identity... and Fred Astaire and Ginger Rogers dancing and singing 11 of Irving Berlin's best songs. When Jerry Travers meets lovely Dale Tremont, it's love at first sight for him. Unfortunately, Dale's affections chill when she mistakenly believes he's her best friend's new husband. Now she's engaged to someone else... Will she find out Jerry's real identity before she goes ahead and makes a big mistake? (http://www.rottentomatoes.com/m/top_hat/)

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Nominated for four Academy Awards: Best Picture, Best Art Direction, Best Dance Direction, and Best Music, Original Song.